M.J. Whitehead

I’m in love with Changes at the moment. For those of you who, like me a few months ago, have not picked up the Dresden Files, you’re missing out. It’s contempory fantasy at its best, borrowing a little from other genres, going interesting places and inventing new rules to do it. It’s not particularly hard fantasy, although there is a little bit of rules-based magic going on, there’s no underlying explanation of the structure of magic or anything, it just happens.

Changes is a great example of how to keep a long series fresh. Jim changed things up with the typical life changes, family revelations, backstory reveals, and all those other tricks we use to keep people interested in a series.

Changes went a step further. It’s completely rebooted the series’ dynamic. As we find out on the first page, Harry is looking for a daughter he only just learned he has, and he goes through some tremendous losses in his attempt to make her safe. This is the kind of book we need more in fantasy- the plot-changing twists and turns follow their own theme. (the title telegraphs that there’s a theme behind the changes, but doesn’t give you a clue at all)

I’m not going to say we should all beat our characters up in exactly the way that Harry gets it in this book, but we should definitely consider having Huge Game Changers™ like this in the middle of a fantasy series. If the Dresden Files were a trilogy, this would be the second book that not only improved on the first one, but really kicked its ass.

If I can do half this well I’ll be gushing with pride.

I’ve just finished world-building the wider universe for Dreamspace. I’m pretty enthusiastic about this one, so I’m having trouble thinking about whether to post it online or not. I am, however, enjoying breaking from aBoM, but I’m getting to the point where I really need to start practicing describing this book for

It’s a fantasy, but unlike the A Beginning Of Magic universe, there’s no science-fiction crossover. (The universe could be said to be a fantasy-western crossover in that it involves interstellar colonisation, frontiers, and as Ian Banks calls them, “out-of-context problems” or first encounter situations. But there aren’t cowboy hats or pistol fights, so I’m never going to pitch it that way) The universe features faster-than-light travel, (but not the book) and I’m tentatively calling it the Worldcrystals universe. The initial book features four hard-fantasy magic systems, three of which are “foundational” to the wider universe. Can’t spoil much more about the world-building, as I don’t know what else I’m embargoing until after the book is finished. (I haven’t decided if I’m going to do a big reveal about the wider universe or not, as this world is “special” within the universe)

The plot of the story is half “magical school is much more frustrating than I expected it to be” and it twists to its other half at the climax point, which is “what might happen after the hero wins the day and kills the villain?”. I’m not done here so I don’t want to say too much more, as I’ve not really started outlining in earnest, just done discovery writing on a few chapters.

The book is narrated in first-person by a main character, and in third person from our narrator’s perspective for two other characters. Trying to differentiate the narrative and the dialogue has really helped me with a better sense of “voice” for my characters, so whether or not this book ends up being good, I’ll have learned a lot from it.

Spoiler warning: This post will contain spoilers for the whole Harry Potter series. I’ll be doing this kind of analysis from time to time, but I will always gate it behind the “read more” link to avoid accidental spoilers. Just because Harry Potter has been released in its entirety for quite some time does not mean there do not exist people who are still halfway through it, or have not yet read it but may later.
(continue reading…)